![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/01_01_Talmi-Methode\u00ae-Kurs_3-1-600x200.jpg\" "\\"Talmi-Methode\u00ae")
<\/span><\/div>What is the
\nTalmi-Methode\u00ae<\/sup>?<\/h1>\n<\/div>\n<\/div>Experience the life-long joy of being flexible, balanced and energetic.<\/h3>\n<\/div><\/div><\/div><\/div><\/div><\/div>Originally Martin Gruber<\/a> developed theTalmi-Methode\u00ae<\/sup> for anyone in the performing arts facing the extremely high demands of work on the stage; meanwhile the Talmi-Methode\u00ae \u00a0is successfully practiced outside this originally targeted group of professionals. In the decades of working with performing artists the Talmi-Methode\u00ae evolved into a self-determined, active exchange at eye level between the practicing and the receiving party. The Talmi-Methode\u00ae consists of different components; a well-balanced posture and freedom of movement focussing on improving presence, voice, breathing and last but not least reducing physical exhaustion. The Talmi-Methode\u00ae is designed to precisely and effectively remove impeding patterns, tension and the results of unbalancing strains. Already the Talmi-Methode\u00ae is practiced successfully at leading drama schools<\/a> in Europe, in training performing artists and in physical and speech education.<\/p>\n<\/div><\/div><\/div><\/div>In addition the Talmi-Methode\u00ae<\/sup> has become of importance in assisting with medicinal and therapeutic work, as a method of coaching, as individual work on posture and in dealing with extreme physical demands. As Martin Gruber was a pupil of Alon Talmi<\/a> he named this method of training after him with the Functional Integration<\/a>\u00ae<\/sup>\u00a0lessons according to Alon Talmi at the very core of the Talmi-Methode\u00ae. Elements of body work from Western traditional methods like Rolfing<\/a>\u00ae<\/sup>,Feldenkrais<\/a>, Zen Triggerpoint Anatomy<\/a>\u00ae<\/sup>, Zen Bodytherapy<\/a>\u00ae<\/sup> and from Asian traditional methods such as Japanese forms of osteopathy and exercises derived from Japanese stage techniques and martial arts are combined, modified and expanded resulting in lessons tailored to the specific needs of performing artists thus achieving the perfect posture for work on stage. Furthermore different components were used at drama schools in conceiving lessons for teaching groups.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>TREATMENT with the Talmi-Methode\u00ae<\/sup><\/h1>\n<\/h1>\n<\/div><\/div><\/div><\/div>![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/02_010_Ablauf-einer-Behandlung_4-3.jpg\")
<\/a><\/span><\/div><\/div>Why, how and for whom?<\/h3>\n<\/div><\/div><\/div><\/div>![\"Behandler](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2015\/01\/IMG_8589.jpg\")
<\/a><\/span><\/div><\/div>Find Practitioners<\/h3>\n<\/div><\/div><\/div><\/div>![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/02_030_Qualifikations-Stufen_4-3.jpg\")
<\/a><\/span><\/div><\/div>Qualification Levels<\/h3>\n<\/div><\/div><\/div><\/div>![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/02_040_WeiterfuehrendeInformationen_4-3.jpg\")
<\/a><\/span><\/div><\/div>Additional Information<\/h3>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n\n\u201eThe main purpose of my method is to bring to the surface the physically perceptive sensibility which actors originally had.<\/span>\u201d<\/em><\/p>\n<\/div><\/div><\/blockquote>Tadashi Suzuki<\/strong>, Schriftsteller, Philosoph, Religionskritiker<\/span><\/span><\/div><\/div>\n\u201cDer Schauspieler mu\u00df wissen, was er nicht zu tun hat.\u201c\u00a0<\/em><\/p>\n<\/div><\/div><\/blockquote>Jerzy Grotowski<\/strong>, Regisseur, Theaterleiter<\/span><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n
Experience the life-long joy of being flexible, balanced and energetic.<\/h3>\n<\/div><\/div><\/div><\/div><\/div><\/div>Originally Martin Gruber<\/a> developed theTalmi-Methode\u00ae<\/sup> for anyone in the performing arts facing the extremely high demands of work on the stage; meanwhile the Talmi-Methode\u00ae \u00a0is successfully practiced outside this originally targeted group of professionals. In the decades of working with performing artists the Talmi-Methode\u00ae evolved into a self-determined, active exchange at eye level between the practicing and the receiving party. The Talmi-Methode\u00ae consists of different components; a well-balanced posture and freedom of movement focussing on improving presence, voice, breathing and last but not least reducing physical exhaustion. The Talmi-Methode\u00ae is designed to precisely and effectively remove impeding patterns, tension and the results of unbalancing strains. Already the Talmi-Methode\u00ae is practiced successfully at leading drama schools<\/a> in Europe, in training performing artists and in physical and speech education.<\/p>\n<\/div><\/div><\/div><\/div>In addition the Talmi-Methode\u00ae<\/sup> has become of importance in assisting with medicinal and therapeutic work, as a method of coaching, as individual work on posture and in dealing with extreme physical demands. As Martin Gruber was a pupil of Alon Talmi<\/a> he named this method of training after him with the Functional Integration<\/a>\u00ae<\/sup>\u00a0lessons according to Alon Talmi at the very core of the Talmi-Methode\u00ae. Elements of body work from Western traditional methods like Rolfing<\/a>\u00ae<\/sup>,Feldenkrais<\/a>, Zen Triggerpoint Anatomy<\/a>\u00ae<\/sup>, Zen Bodytherapy<\/a>\u00ae<\/sup> and from Asian traditional methods such as Japanese forms of osteopathy and exercises derived from Japanese stage techniques and martial arts are combined, modified and expanded resulting in lessons tailored to the specific needs of performing artists thus achieving the perfect posture for work on stage. Furthermore different components were used at drama schools in conceiving lessons for teaching groups.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>TREATMENT with the Talmi-Methode\u00ae<\/sup><\/h1>\n<\/h1>\n<\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div>Why, how and for whom?<\/h3>\n<\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div>Find Practitioners<\/h3>\n<\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div>Qualification Levels<\/h3>\n<\/div><\/div><\/div><\/div><\/a><\/span><\/div><\/div>Additional Information<\/h3>\n<\/div><\/div><\/div><\/div><\/div><\/div>\n\n\u201eThe main purpose of my method is to bring to the surface the physically perceptive sensibility which actors originally had.<\/span>\u201d<\/em><\/p>\n<\/div><\/div><\/blockquote>Tadashi Suzuki<\/strong>, Schriftsteller, Philosoph, Religionskritiker<\/span><\/span><\/div><\/div>\n\u201cDer Schauspieler mu\u00df wissen, was er nicht zu tun hat.\u201c\u00a0<\/em><\/p>\n<\/div><\/div><\/blockquote>Jerzy Grotowski<\/strong>, Regisseur, Theaterleiter<\/span><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n
Originally Martin Gruber<\/a> developed theTalmi-Methode\u00ae<\/sup> for anyone in the performing arts facing the extremely high demands of work on the stage; meanwhile the Talmi-Methode\u00ae \u00a0is successfully practiced outside this originally targeted group of professionals. In the decades of working with performing artists the Talmi-Methode\u00ae evolved into a self-determined, active exchange at eye level between the practicing and the receiving party. The Talmi-Methode\u00ae consists of different components; a well-balanced posture and freedom of movement focussing on improving presence, voice, breathing and last but not least reducing physical exhaustion. The Talmi-Methode\u00ae is designed to precisely and effectively remove impeding patterns, tension and the results of unbalancing strains. Already the Talmi-Methode\u00ae is practiced successfully at leading drama schools<\/a> in Europe, in training performing artists and in physical and speech education.<\/p>\n<\/div> In addition the Talmi-Methode\u00ae<\/sup> has become of importance in assisting with medicinal and therapeutic work, as a method of coaching, as individual work on posture and in dealing with extreme physical demands. As Martin Gruber was a pupil of Alon Talmi<\/a> he named this method of training after him with the Functional Integration<\/a>\u00ae<\/sup>\u00a0lessons according to Alon Talmi at the very core of the Talmi-Methode\u00ae. Elements of body work from Western traditional methods like Rolfing<\/a>\u00ae<\/sup>,Feldenkrais<\/a>, Zen Triggerpoint Anatomy<\/a>\u00ae<\/sup>, Zen Bodytherapy<\/a>\u00ae<\/sup> and from Asian traditional methods such as Japanese forms of osteopathy and exercises derived from Japanese stage techniques and martial arts are combined, modified and expanded resulting in lessons tailored to the specific needs of performing artists thus achieving the perfect posture for work on stage. Furthermore different components were used at drama schools in conceiving lessons for teaching groups.<\/p>\n<\/div> \u201eThe main purpose of my method is to bring to the surface the physically perceptive sensibility which actors originally had.<\/span>\u201d<\/em><\/p>\n<\/div><\/div><\/blockquote> \u201cDer Schauspieler mu\u00df wissen, was er nicht zu tun hat.\u201c\u00a0<\/em><\/p>\n<\/div><\/div><\/blockquote>TREATMENT with the Talmi-Methode\u00ae<\/sup><\/h1>\n
<\/h1>\n<\/div>
<\/a><\/span><\/div><\/div>Why, how and for whom?<\/h3>\n<\/div>
<\/a><\/span><\/div><\/div>Find Practitioners<\/h3>\n<\/div>
<\/a><\/span><\/div><\/div>Qualification Levels<\/h3>\n<\/div>
<\/a><\/span><\/div><\/div>Additional Information<\/h3>\n<\/div>
![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/03_010_Ausbildung-BehandlerIn_4-3.jpg\")
<\/a><\/span><\/div><\/div>![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/03_020_Ausbildung-AusbilderIn_4-3.jpg\")
<\/a><\/span><\/div><\/div>![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/03_030_AnmeldungKosten.jpg\")
<\/a><\/span><\/div><\/div>![](\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/03_040_Chronologie_4-3.jpg\")
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