Since 2010 Martin Gruber has held a professorship at the University of Performing Arts “Ernst Busch<\/a>” in Berlin, Germany (head of the movement department). Since the foundation of the Bayerische Theaterakademie August-Everding<\/a> (Munich, Germany) in 1993, he has been a lecturer for movement and acting and has built up and coordinated the teaching of movement there. From 1985 to 1993 he taught movement at the Otto-Falckenberg-Schule<\/a> (Munich, Germany). Martin Gruber has been teaching Aikido and Suzuki Training since 1985 and has been leading Talmi-Methode\u00ae\u00a0training courses since 2004. Martin Gruber is internationally active, providing workshops and giving lectures. The following is an outline of his work. You can find his publications here<\/a>.<\/p>\n 2017<\/strong> Research semester: Basic research on content and practice of movement teaching in the performing arts, research in the Anglo-American and Asian regions on exercise methods in the performing arts. Research stays in London (GB) and Beijing (PR China).<\/p>\n 2015\/2014<\/strong> International Research Fellowship: \u201cThe Jingju Master Zhou Xinfang and his special significance for the further development of the Shanghai Jingju style<\/em>\u201c, Shanghai Theatre Academy<\/em>, Shanghai (PR China. ).<\/p>\n 2007 <\/strong>University of the Arts<\/em>, Berlin. Scenic instruction, preparation for the intendant\u2019s audition.<\/p>\n 2002, 2001<\/strong> Munich University of Music and Drama (Gesang). Role teaching \u201cImprovisation. Interaction\u201d.<\/p>\n 2001, 2000<\/strong> Exchange program of the directing course of studies at the Bavarian Theatre Academy \u201cAugust Everding\u201d<\/em>, Munich, with the course of studies Stage Design at the Hochschule f\u00fcr Bildende K\u00fcnste<\/em>, Dresden: Seminars \u201cRichard III.\u201d and \u201cSynge: Held der westlichen Welt\u201d.<\/p>\n 1999<\/strong> Ecole Sup\u00e9rieure d\u2019Art Dramatique du Th\u00e9atre Nationale de Strasbourg<\/em>, Strasbourg (France). \u201cSuzuki Training and Functional Integration\u00ae\u201d.<\/p>\n 1996<\/strong> Central Academy of Drama<\/em>, Beijing (PR China). \u201cDrama\u201d.<\/p>\n 2019<\/strong> Talmi-Methode\u00ae Workshop for performing artists in cooperation with the Paper Tiger Theater Studio<\/em>, Dali, Yunan (PR China)-<\/p>\n 2018<\/strong> Talmi-Methode\u00ae Workshop for performing artists in cooperation with the Paper Tiger Theater Studio<\/em>, Beijing (PR China).<\/p>\n 2017, 2015 \u2013 2002<\/strong> International Seminar for Body Related Psychotherapy, Body Therapy and Body Art of the Austrian Society for Medical Psychology, Psychotherapy and Psychosomatics<\/em> (\u00d6GMP), Bad Gleichenberg (Austria).<\/p>\n 2017, 2015, 2014 Talmi-Methode\u00ae . We are change 2014<\/strong> Westerdals Oslo School of Arts, Communication and Technology<\/em>, Oslo (Norway). Workshop \u201cTalmi Methode\u00ae and Suzuki Training\u201d.<\/p>\n 2013<\/strong> Shanghai Theatre Academy<\/em>, Shanghai (PR China). Seminar \u201cFunctional and Structural Integration for Actors\u201d.<\/p>\n 2012<\/strong> International drama school meeting, National School of Drama<\/em>, Delhi (India). Workshop \u201cNew Approach in Training Actors\u201d.<\/p>\n 2009, 2007,2006,2004, 2003, 2002<\/strong> International Mime-Center<\/em>, Berlin. Advanced training for professional actors \u201cGrammar of the feet\u201d.<\/p>\n 2006<\/strong> ImpulsTanz. Vienna International Dance Festival<\/em>, Vienna (Austria).\u00a0Workshops \u201cGrammar of the feet\u201d and \u201cAikido for dancers\u201d.<\/p>\n 2003<\/strong> Institute of Linguistics<\/em>, University of Halle. Workshop \u201cSpeaking. Communication. Space \u2013 speaking on stage\u201d.<\/p>\n 2002<\/strong> University of Music and Drama Munich<\/em>. Workshop \u201cImprovisation and Interaction\u201d.<\/p>\n 2001<\/strong> Musical studies at the Bavarian Theatre Academy \u201cAugust Everding\u201d<\/em>, Munich. Workshop \u201cFunctional Integration\u00ae\u201d.<\/p>\n 2000<\/strong> University of Augsburg<\/em>, 3rd International Congress Experiencing and Learning<\/em>: Symposium Aikido Extensions<\/em>. Workshop \u201cAikido and the Dialogical Process on the Theatre Stage\u201d.<\/p>\n 2000<\/strong> University of Dramatic Arts \u201cErnst Busch\u201d<\/em>, Berlin. Workshop \u201cSuzuki-Training and Functional Integration\u00ae\u201d.<\/p>\n 1999<\/strong> Studies of directing at the Hochschule f\u00fcr Musik und Theater,<\/em> Munich. Seminar \u201cGravity and carelessness. To the irrational in the theoretical. Kleist, Wittgenstein, Z\u00e9ami\u201d, with Susanne G\u00f6\u00dfe.<\/p>\n 1999<\/strong> Studies of directing at the Hochschule f\u00fcr Musik und Theater<\/em>, Munich. Stage design workshop \u201cProxemik \u2013 Szenisches Arbeiten an Richard III\u201d.<\/p>\n 1998<\/strong> Conference of the German Drama Schools<\/em> at the Bavarian Theatre Academy \u201cAugust Everding\u201d<\/em>, Munich. Workshop \u201cIntegration of Speaking and Movement\u201d for lecturers in the theatre faculties.<\/p>\n 1995<\/strong> Orff Institute, Mozarteum<\/em>, Salzburg (Austria). Workshop \u201cExercises on Functional Integration\u00ae\u201d.<\/p>\n 1994<\/strong> Dept. of Drama and Direction, Mozarteum<\/em>, Salzburg (Austria) Workshop \u201cSuzuki-Training\u201d.<\/p>\n 2017<\/strong> Lecture and discussion \u201cHong Kong Belt Road 2017 City-to-City Cultural Exchange Conference<\/em>\u201d by Zuni Icosahedron<\/em>, Curators: Danny Yong, Matthias Woo, Hong Kong, SAR China.<\/p>\n 2017<\/strong> Panel discussion \u201cFrom Beijing lan to 500 metres: 20 years of German-Chinese theatre cooperation<\/em>\u201d on 2.10.2017, Goethe-Institut Beijing in 798<\/em>, Beijing (PR China).<\/p>\n 2015<\/strong> Lecture \u201cTen days with Zhou Xinfang in Shanghai. Reflection. Zhou Xinfang and its special importance for the further development of the Shanghai Jingju style\u201d, International Symposium \u201cIn Memory of the 120th Birthday of Jingju Maestro Zhou Xinfang<\/em>\u201c, Chinese Ministry of Culture of the PR China and Zhou Xinfang Arts Research Center<\/em>, Shanghai (PR China)<\/p>\n 2014<\/strong> Roundtable discussion \u201cThe New Face of the Acting Teacher\u201d at the Volksb\u00fchne am Rosa-Luxemburg-Platz, Berlin, a cooperation of AKT-ZENT Research Center of the ITI, International Research Center \u201cInterweaving Performing Cultures\u201d of Freie Universit\u00e4t Berlin, CUT \u2013 Centro Universitario de Teatro, Universidad Nacional Autonoma de Mexico.<\/em><\/p>\n 2013<\/strong> Lecture \u201cActor Training within Specific (Inter-)Cultural Contexts. German Examples\u201d, with Hans-Ulrich Becker, \u201cThe Neutral Body as a Base for Acting? The Role of Functional-Structural Bodywork and Martial Arts in the Training for Performing Artists\u201d (work demonstration, with students of the Hochschule f\u00fcr Schauspielkunst \u201cErnst Busch\u201d, Berlin). Symposium Actor Training. Intercultural and Interdisciplinary Perspectives of the International Research Center \u201cInterweaving Performing Cultures\u201d of Freie Universit\u00e4t Berlin<\/em>, Kunstquartier Bethanien, Berlin.<\/p>\n 2013<\/strong> Head of discussion \u201cThe Other Eye #2-Education\u201d. International symposium in the series \u201cGermany versus Norway: Interchanging Theatrical Strategies\u201d, a cooperation between the Performing Arts Hub Oslo<\/em> and the Royal Norwegian Embassy in Berlin<\/em>, Bergen (Norway).<\/p>\n 2012<\/strong> Lecture \u201cPerforming Artists \u2013 from Alternative Rebel to the Role of Celebrity\u201d. International Symposium, University of the Arts<\/em>, Belgrade (Serbia).<\/p>\n 2012<\/strong> Lecture \u201cDemigod or Servant. On the Vulnerability of the Actor\u201d, 14th International Symposium of Theatre Critics and Scholars<\/em> \u201cThe Actor is Dead, Long Live the Actor\u201d, Sterijno Pozorje Festival and International Association of Theatre Critics (IATC)<\/em>, Novi Sad (Serbia).<\/p>\nLectureships\/Guest Professorships \/ Research Semester<\/h2>\n
Seminars \/ Workshops<\/h2>\n
\n2010 About dealing with me and others: Discovery trips
\n2009 \u201cPlaying field\u201d. Improvisations.
\n2006 Retrospective. Integration and Continuity of Sensual Experience
\n2005 Was Icarus brave?
\n2004 Constellations on the pataphysics of love
\n2003 Gravity and carelessness
\n2002 On the paradoxical basic attitude<\/p>\nSymposia \/ Conferences \/ Discussions<\/h2>\n