{"id":2898,"date":"2019-12-10T19:24:20","date_gmt":"2019-12-10T18:24:20","guid":{"rendered":"https:\/\/www.talmi-methode.com\/susanne-gruber\/publications\/"},"modified":"2020-02-13T18:04:07","modified_gmt":"2020-02-13T17:04:07","slug":"publications-susanne-gruber","status":"publish","type":"page","link":"https:\/\/www.talmi-methode.com\/en\/publications-susanne-gruber\/","title":{"rendered":"Publications Susanne G\u00f6\u00dfe (Susanne Gruber)"},"content":{"rendered":"<h1>Publications<\/h1>\n<p><strong>2017\u00a0<\/strong>&#8220;Culture Belt and Road City Report&#8221;,\u00a0<em>Hong Kong Belt-Road. City-to-City Cultural Exchange Conference 2017. City Reports<\/em>, ed. by Zuni Icosahedron, p. 14-21, with Martin Gruber.<a href=\"https:\/\/www.talmi-methode.com\/wp-content\/uploads\/2018\/09\/City20Reports-Kopie.pdf\">CityReports Kopie<\/a><\/p>\n<p><strong>2015<\/strong>\u00a0&#8220;Tongguo chuangzao xingxingwei chaoyue chengshi dadao gexinghua bioada (Ten days with Zhou Xinfang in Shanghai. Posthumous thoughts)&#8221;, in: <em>Jihua jingju dashi Zhou Xinfang danchen 120 zhounian. Waiguo zhuanjia yanjiu wence<\/em>(In Memory of the 120th Birthday of the Jingju Maestro Zhou Xinfang. A Collection of Research Papers by Foreign Experts), edited by\u00a0\u00a0<em>Zhou Xinfang Arts Research Center<\/em>: Shanghai, S. 10-15, with Martin Gruber.<\/p>\n<p><strong>2014 &#8220;<\/strong>Ich male meine Antworten dem Leben entgegen\u201c \u2013 eine Hommage an Professor Manfred G. Dinnes (I paint my answers towards life)&#8221; &#8211; a tribute to Professor Manfred G. Dinnes, available as\u00a0\u00a0<a href=\"https:\/\/kunsteventmuenchen.files.wordpress.com\/2014\/04\/nachruf_dinnes_susanne_goesse.pdf\" target=\"_blank\" rel=\"noopener\">pdf<\/a><\/p>\n<p><strong>2011 &#8220;<\/strong>Feng de Meigui\u201c (Compass Rose. For Zhang Zao), in: <em>Chinese European Post\u00a0<\/em>11\/2011, S. 22.<\/p>\n<p><strong>2008 &#8220;<\/strong>Versuch \u00fcber das Un\u00fcbertragbare: Die Allmacht der \u00dcbertragung und die Inseln der Rebellion (Experiment on the Untransferable: The Omnipotence of Transfer and the Islands of Rebellion)\u201c, in: <a href=\"https:\/\/parapluie.de\/archiv\/uebertragungen\/uebertragbarkeit\/\" target=\"_blank\" rel=\"noopener\"><em>parapluie\u00a0<\/em>25\/2008<\/a>.<\/p>\n<p><strong>2006 &#8220;<\/strong>Von China nach Japan in zwei Theaterst\u00fccken (From China to Japan in two plays)\u201c, in: <em>Minima Sinica <\/em>18\/ 2006, S. 48-74.<\/p>\n<p><strong>2008\/2001\/1999 &#8220;<\/strong>Fremdheit und Exil im lyrischen Sprechen: Zhang Zao, Celan und Brecht (Strangeness and exile in lyrical speaking: Zhang Zao, Celan and Brecht)\u201c, in: <em>Im Proze\u00df der Kultur. Essays, Perspektiven und Entw\u00fcrfe (In the process of culture. Essays, Perspectives and Drafts)<\/em>, edited by Frank Madro and Alexander Schlutz, Hamburg 2008; and in: <em>Parapluie. Sonderausgabe Chinesische Gegenwarten(Special Issue Chinese Presences)\u00a0\u00a0<\/em>2001; and in: <a href=\"https:\/\/parapluie.de\/archiv\/china\/exil\/\" target=\"_blank\" rel=\"noopener\"><em>parapluie\u00a0<\/em>10\/1999<\/a>.<\/p>\n<p><strong>1999\u00a0<\/strong><em>Zeichen lesen \u2013 Lese-Zeichen. Kultursemiotische Vergleiche von Leseweisen in Deutschland und China, <\/em>symposium volume, edited with J\u00fcrgen Wertheimer, T\u00fcbingen.<\/p>\n<p><strong>1999\u00a0<\/strong>\u201eIntertextualit\u00e4t und virtuelles Ged\u00e4chtnis in zeitgen\u00f6ssischer chinesischer Lyrik (Intertextuality and Virtual Memory in Contemporary Chinese Poetry)\u201c, in: <em>Zeichen lesen \u2013 Lese-Zeichen<\/em>,\u00a0S. 269-305.<\/p>\n<p><strong>2000\/1998 <\/strong>\u201eYi ge shu shi shemne? Shu, duihua he wenhua chayi: Xi du Zhang Zao de Jinnian de yunque\u201c (What is a tree? Tree, Dialogue and Cultural Difference in Zhang Zaos <em>Lark, this year<\/em>), in: <em>Dangdai zuojia pinglun\u00a0<\/em>2\/2000, S. 109-114 and in: <em>Jintian <\/em>3\/1998, S. 153-163.<\/p>\n<p><strong>\u00a0<\/strong><strong>1998 <\/strong>\u201eEmpty names and virtual memory. Zhong Ming\u2019s Chinese Acrobatics \u2013 Hard Chairs, in: <em>The Poetics of Memory<\/em>, edited by Thomas W\u00e4genbaur, T\u00fcbingen, S. 265 \u2013 296.<\/p>\n<p><strong>1997<\/strong>\u201eYang Lian. Der Ruhepunkt des Meeres. Gedichte, \u00fcbers. v. Wolfgang ( KubinYang Lian. The resting point of the sea. Poems, translated by Wolfgang Kubin)\u201c, in: <em>Bochumer Jahrbuch zur Ostasienforschung<\/em>, Bd. 21\/1997 (<em>Bochum Yearbook on East Asian Studies<\/em>, vol. 21\/1997), S. 244-246.<\/p>\n<p><strong>1995\u00a0<\/strong><em>Chinesische Akrobatik \u2013 Harte St\u00fchle. Gedichte chinesisch-deutsch<\/em>, Auswahl, \u00dcbersetzung und Vorwort von Susanne G\u00f6\u00dfe, mit Lithographien von He Duoling und Zeichnungen von Andreas Schmidt, (<em>Chinese acrobatics &#8211; hard chairs. Poems Chinese-German<\/em>, selection, translation and preface by Susanne G\u00f6\u00dfe, with lithographs by He Duoling and drawings by Andreas Schmidt, edited with Val\u00e9rie Lawitschka, epilogized by Paul Hoffmann, Konkursbuchverlag T\u00fcbingen. (bilingual, bibliophile edition)<\/p>\n<p><strong>1995\u00a0<\/strong>&#8220;Zum Symposium Zeichen lesen &#8211; LeseZeichen To the Symposium Reading signs&#8221;, in: <em>Zeitschrift f\u00fcr Semiotik\u00a0<\/em>17, Issue 1-2\/1995, S. 216-218.<\/p>\n<p><strong>1993 \u00a0<\/strong><em>Bai Hua, Zhang Zao, Ouyang Jianghe \u2013 Die Glasfabrik. Gedichte chinesisch-deutsch (Bai Hua, Zhang Zao, Ouyang Jianghe &#8211; The glass factory. Poems Chinese-German), <\/em>translation and preface by Susanne G\u00f6\u00dfe and Peter Hoffmann, edited by Valerie Lawitschka, Paul Hoffmann and J\u00fcrgen Wertheimer in the series Lyrik im H\u00f6lderlinturm, Konkursbuchverlag T\u00fcbingen.\u00a0(bilingual, bibliophile edition)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publications 2017\u00a0&#8220;Culture Belt and Road City Report&#8221;,\u00a0Hong Kong Belt-Road. City-to-City Cultural Exchange Conference 2017. City Reports, ed. by Zuni Icosahedron, p. 14-21, with Martin Gruber.CityReports  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2898","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Publications Susanne G\u00f6\u00dfe (Susanne Gruber) - Talmi-Methode\u00ae<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.talmi-methode.com\/en\/susanne-gruber\/publications-susanne-gruber\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications Susanne G\u00f6\u00dfe (Susanne Gruber) - Talmi-Methode\u00ae\" \/>\n<meta property=\"og:description\" content=\"Publications 2017\u00a0&#8220;Culture Belt and Road City Report&#8221;,\u00a0Hong Kong Belt-Road. 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