2019<\/strong> Dramaturgical consultation Choreography:Die Stunde, da wir nichts voneinander wussten (<\/em>The hour when we knew nothing about each other), Peter Handke. Director: Robert Schuster, Choreography: Martin Gruber, City Theatre Klagenfurt (Austria), United Stages Bolzano (Italy).<\/p>\n 2017<\/strong>\u00a0“Berlin. Culture Belt and Road City Report”,\u00a0Hong Kong Belt Road 2017. City-to-City Cultural Exchange Conference<\/em>\u00a0by Zuni Icosahedron, Curators: Danny Yong, Matthias Woo, Hong Kong (SAR China).<\/p>\n 2015\u00a0<\/strong>Studies on the Chinese Opera: Ten Days with Zhou Xinfang: Zhou Xinfang and its Special Importance for the Further Development of the Shanghai Jingju Style, Shanghai Theatre Academy<\/em>, Shanghai (VR China): In Memory of the 120th Birthday of Jingju Maestro Zhou Xinfang<\/em>, Internationales Symposium, Chinese Ministry of Culture of the PR China<\/em>\u00a0and Zhou Xinfang Arts Research Center<\/em>, Shanghai (PR China)<\/p>\n \u00a0<\/strong>\u00a0<\/strong>2014<\/strong>dramaturgy\u00a0Alga Bolokh – Vom Verschwinden (About disappearance)\/Ulan Bator – Berlin<\/em>,<\/em><\/strong>Installation and Performance in the Radialsystem<\/em> Berlin, by Claudia Heu and Gerhard Fillei (Austria), as part of the research and performance platform Urban Nomads<\/em>, Berlin.<\/p>\n 2013<\/strong>\u00a0Direction and text version Dante, Tod und Te<\/em>ufe<\/em>l<\/em>. Street theatre in the Tucherschloss N\u00fcrnberg, Festival Blaue Nacht<\/em>.<\/p>\n 2010\u00a0<\/strong>Ass. Prof. at the\u00a0City University of Hong Kon<\/em>g, seminar “Theatre, Performance and Society”,<\/em><\/strong>study programme\u00a0Heritage and Cultural\u00a0<\/em>Management.<\/em><\/p>\n 2008<\/strong>\u00a0Assistant director\u00a0Sakkorausch<\/em>(Elisabeth Reichart).\u00a0director: Martin Gruber, world premiere Schauspielhaus Salzburg<\/em> (Austria).<\/p>\n 2004<\/strong>\u00a0Dramaturgy Dialoge \u00fcber die Liebe. Eine Stra\u00dfenoper (Dialogues about Love. A Street Opera)<\/em> Directed by Martin Gruber, premiere at the International Festival Hue (Vietnam), Goethe-Institut Hanoi (Vietnam), Munich Opera Festival Festspiel+.\u00a0Television documentary of the project under the title The Linking between Asia and Europe<\/em> broadcast on Vietnamese television VTV 3.<\/p>\n 2001<\/strong>\u00a0Cooperation\u00a0Asien-Pazifik-Wochen (Asia-Pacific Weeks)<\/em>, China-Fest (China Festival), Berlin.<\/p>\n 1999<\/strong>\u00a0 Seminar Schwerkraft und Leichtsinn. \u00dcber das Irrationale im Theoretischen. Kleist, Wittgenstein, Z\u00e9ami (Gravity and carelessness. About the irrational in the theoretical. Kleist, Wittgenstein, Z\u00e9ami) <\/em>study programme Directing, Bayerische Theaterakademie August Everding<\/em>, Munich, with Martin Gruber.<\/p>\n 1998\u00a0<\/strong>Author\u00a0Anstatt Rashomon (Instead of Rashomon)<\/em>, Director: Martin Gruber, world premiere\u00a0Stadttheater Ulm<\/em>.<\/p>\n 1998<\/strong>\u00a0Author\u00a0Fest f\u00fcr Liebende in ungl\u00fccklicher Konstellation<\/em>, Director: Martin Gruber, world premiere\u00a0Akademietheater M\u00fcnchen (Academy Theatre Munich)<\/em>.<\/p>\n 1997<\/strong>\u00a0Dramaturgy\u00a0\u00a0Beijing lan \u2013 Peking is blue<\/em>, Director: Martin Gruber and Tian Gebing, world premiere\u00a0\u00a0Yan Huang Art Gallery<\/em>, Beijing (PR China), Television documentary of the project under the title Begegnungen in Beijing<\/em> (3SAT and ARTE).<\/p>\n 1995 \u2013 1994<\/strong>\u00a0Co-organiser, conception, organisation Chinesische Lyrik. Musik. Malerei<\/em>.\u00a0K\u00fcnstler aus Deutschland und China im Gespr\u00e4ch (Chinese poetry. Music. Painting.\u00a0Artists from Germany and China in conversation)<\/em>\u00a0German-Chinese Cultural Days, in cooperation with the H\u00f6lderlin-Gesellschaft T\u00fcbingen<\/em>, with the\u00a0S\u00fcdwestfunk<\/em>\u00a0and with the\u00a0Kulturamt der Stadt T\u00fcbingen<\/em>.\u00a0Broadcasting of selected events to S 2 Kultur (Culture).<\/p>\n 1994 \u20131992<\/strong> Conception and organization Zeichen lesen \u2013 Lese-Zeichen. Ein kultursemiotischer Vergleich von Leseweisen in Deutschland und China,<\/em> international symposium, University of T\u00fcbingen, headed by Prof. J\u00fcrgen Wertheimer.<\/p>\n 2017\u00a0<\/strong>panel discussion\u00a0“From Beijing lan<\/em> to 500 metres<\/em>: 20 years of German-Chinese theatre cooperation”, 2.10.2017, Goethe-Institut Peking in 798<\/em>, Beijing (PR China).<\/p>\n 2014 <\/b>Series of lectures “Theatre and philosophy”, Sterijno pozorje Festival<\/em>, Novi Sad (Serbia).<\/p>\n 2014\u00a0<\/strong>Lecture”What do we owe to the theatre laboratories of the 20th century?”, international Symposium Experience of Theatre Laboratories of the 20th century and its influence on contemporary theatre practices<\/em>, Novi Sad (Serbia).<\/p>\n 2006\u00a0<\/strong>Workshop “Theatrales Geschehen als komplexes 3D-Informationsdesign (Theatrical Events as Complex 3D Information Design)”, University of the Arts<\/em>, Berlin.<\/p>\n 2004\u00a0<\/strong>Workshop “Peking ist blau<\/em> und\u00a0Anstatt Rashomon<\/em>. Von China nach Japan in zwei Theaterst\u00fccken (Beijing is blue<\/em> and Instead of Rashomon<\/em>. From China to Japan in two plays)”, \u00c4sthetische Entw\u00fcrfe in Ost und West (Aesthetic designs in East and West)<\/em>, international symposium, Rheinische Friedrich-Wilhelms-Universit\u00e4t Bonn.<\/p>\n 2003 <\/strong>Lecture\u00a0“Unsterblicher Leichtsinn \u2013 das Reich der Mitte und die Losl\u00f6sung von der Erdenschwere (Immortal carelessness – the kingdom of the center and the detachment from the earthly heaviness)”, 1997 <\/strong>Lecture\u00a0“What\u2019s a tree supposed to be? Cultural differences in sign constitution”, 6. International Congress of the International Association for Semiotic Studies<\/em>, Guadalajara (Mexico).<\/p>\n 1996 <\/strong>Lecture\u00a0“Contemporary Chinese intertextuality and virtual cultural memory”, 5. Conference of International Society for the Study of European Ideas, University for Humanist Studies<\/em>, Utrecht (The Netherlands).<\/p>\n 2003 Die Neue Aktionsgalerie<\/em>, Berlin,\u00a0 2002 Internationales Literaturfestival<\/em>\u00a0(International Literature Festival ) Berlin, 1997 \u2013 1993\u00a0 H\u00f6lderlin-Turm<\/em>, T\u00fcbingen, 1995 Literaturhaus Hamburg<\/em>, 1995 Karlsruher Asientage <\/em>(Karlsruhe Asia Days).<\/p>\n Studies of Sinology and Comparative Literature (MA) in T\u00fcbingen, Berlin and Taibei (Taiwan R.O.C.). Business studies (dipl. oec. GSBA, Zurich, Switzerland).\u00a0 Advanced training “German as a foreign language” DaF, FU Berlin.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":" CV Art & Science 2019 Dramaturgical consultation Choreography:Die Stunde, da wir nichts voneinander wussten (The hour when we knew nothing about each other), Peter Handke. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2899","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nWorkshops \/ Lectures<\/h2>\n
\n9. Internationales Seminar f\u00fcr k\u00f6rperbezogene Psychotherapie und K\u00f6rpertherapie der \u00d6sterreichischen Gesellschaft f\u00fcr Medizinische Psychologie, Psychotherapie und Psychosomatik (\u00d6GMP) (International Seminar for Body Related Psychotherapy and Body Therapy of the Austrian Society for Medical Psychology, Psychotherapy and Psychosomatics)<\/em>, Bad Gleichenberg (Austria).<\/p>\nReadings<\/h2>\n
Education\u00a0<\/span><\/h2>\n